About Art In Motion Karate
School Flag ~~~ Symbols
The Jumping Front Kick represents power, focus and balance through hard training.
The Flying Sidekick represents the special and unique character of Korean Martial Art. It also reflects the training of Master Kenny Purnell and Grandmaster Jae C. Shin of the World Tang Soo Do Association.
Colors - Red, White, Black, Blue
These colors are very important, not only do they represent the Korean Flag from which we receive most of our Martial Arts training but also the Red, White and Blue of the American Flag.
White represents purity and innocence that all Martial Artists should maintain throughout life.
Red represents Blood, Life, Energy, Attention, Control and Courage.
It also represents the rising of the sun from the East.
Blue presents maturity, respect, honor and perseverance.
Blue also represents the West Coast - where Art In Motion Karate started.
Black represents mastery, calmness, dignity and sincerity. It also reminds us that achieving a Black Belt is only the begining and that we must strive to achive Black Belt Excellency, everyday and in every way.
The Jumping Front Kick represents power, focus and balance through hard training.
The Flying Sidekick represents the special and unique character of Korean Martial Art. It also reflects the training of Master Kenny Purnell and Grandmaster Jae C. Shin of the World Tang Soo Do Association.
Colors - Red, White, Black, Blue
These colors are very important, not only do they represent the Korean Flag from which we receive most of our Martial Arts training but also the Red, White and Blue of the American Flag.
White represents purity and innocence that all Martial Artists should maintain throughout life.
Red represents Blood, Life, Energy, Attention, Control and Courage.
It also represents the rising of the sun from the East.
Blue presents maturity, respect, honor and perseverance.
Blue also represents the West Coast - where Art In Motion Karate started.
Black represents mastery, calmness, dignity and sincerity. It also reminds us that achieving a Black Belt is only the begining and that we must strive to achive Black Belt Excellency, everyday and in every way.
South Korean Flag
Tae Keuk Ki, the Korean flag symbolizes much of the tought, philosophy and mysticism of the orient. The symbol is called "Tae Keuk" and the flag itself is called "Tae Keuk Ki".
Dedicated on the center of the flag is a circle divided equally in perfect balance. The circle itself represents the absolute or the essential unity of all beings.
The upper red section is called Yang and the lower blue section, the Um (Ying) and is the ancient symbol or the creation of universe, day and night, light and dark, constructive and destructive, masculine and femine, active and passive, hot and cold and so on. The central though in the Tae Keuk indicates that while there is a constant movement with the sphere of infinity, there is also balance and harmony.
This though of Tae Keuk, called Um(Ying)-Yang philosophy, has influenced all te fields of oriental cultures sure as philosophy, logic, science and military strategy along with martial arts. The ancient oriental philosophers viewed the universe as a place in which harmony could be attained by the reconcilliation of opposing forces. Once such force, Yang, is associated with expansion and seperation and the other, Um (Ying), with contraction and assimilation. These opposites continually balance and complement each other. This thought taught martial artists the wisdom of using nonviolence against violence, soft against hard, circle against straight line and so on.
The three bars at each corner also carry the ideas of opposition and balance. The three unborken lines (upper left) stand for heaven; the opposite three broken lines (lower right) represent earth. At the lower left corner of the flag, the bars symbolize fire; their opposite symbolizes water.
Tae Keuk Ki, the Korean flag symbolizes much of the tought, philosophy and mysticism of the orient. The symbol is called "Tae Keuk" and the flag itself is called "Tae Keuk Ki".
Dedicated on the center of the flag is a circle divided equally in perfect balance. The circle itself represents the absolute or the essential unity of all beings.
The upper red section is called Yang and the lower blue section, the Um (Ying) and is the ancient symbol or the creation of universe, day and night, light and dark, constructive and destructive, masculine and femine, active and passive, hot and cold and so on. The central though in the Tae Keuk indicates that while there is a constant movement with the sphere of infinity, there is also balance and harmony.
This though of Tae Keuk, called Um(Ying)-Yang philosophy, has influenced all te fields of oriental cultures sure as philosophy, logic, science and military strategy along with martial arts. The ancient oriental philosophers viewed the universe as a place in which harmony could be attained by the reconcilliation of opposing forces. Once such force, Yang, is associated with expansion and seperation and the other, Um (Ying), with contraction and assimilation. These opposites continually balance and complement each other. This thought taught martial artists the wisdom of using nonviolence against violence, soft against hard, circle against straight line and so on.
The three bars at each corner also carry the ideas of opposition and balance. The three unborken lines (upper left) stand for heaven; the opposite three broken lines (lower right) represent earth. At the lower left corner of the flag, the bars symbolize fire; their opposite symbolizes water.
American Flag
In 1782, the Congress of the Confederation chose the colors for the newly designed Great Seal of the United States. The resolution on the seal explained the significance of the colors:
RED for hardiness and courage.
WHITE for purity and innocence.
BLUE for vigilance, perserverance and justice.
Said General George Washington, who would become the nation's first president, "We take the stars from heaven and red from our mother country, seperating it by the white stripes, thus showing that we have seperated from her; and the white stripe shall go down to posterity representing liberty."
The stars fifty represent the fifty states in the USA. The red and white stripes represent the original thirteen colonies.
In 1782, the Congress of the Confederation chose the colors for the newly designed Great Seal of the United States. The resolution on the seal explained the significance of the colors:
RED for hardiness and courage.
WHITE for purity and innocence.
BLUE for vigilance, perserverance and justice.
Said General George Washington, who would become the nation's first president, "We take the stars from heaven and red from our mother country, seperating it by the white stripes, thus showing that we have seperated from her; and the white stripe shall go down to posterity representing liberty."
The stars fifty represent the fifty states in the USA. The red and white stripes represent the original thirteen colonies.
5 Codes of Tang Soo Do
1. Loyalty to Country
2. Obedience to Parents
3. Honor in Friendship
4. No Retreat in Battle
5. In Fighting, Choose with Sense and Honor
1. Loyalty to Country
2. Obedience to Parents
3. Honor in Friendship
4. No Retreat in Battle
5. In Fighting, Choose with Sense and Honor
STUDENT PLEDGE
1. I pledge to develop myself in a positive manner and avoid anything that would reduce my mental growth and physical health.
2. I pledge to develop Self-Discipline in order to bring out the best in myself and others.
3. I pledge to use what I learn in class constructively and defensively, to help myself and my fellow man and NEVER be abusive or offensive.
1. I pledge to develop myself in a positive manner and avoid anything that would reduce my mental growth and physical health.
2. I pledge to develop Self-Discipline in order to bring out the best in myself and others.
3. I pledge to use what I learn in class constructively and defensively, to help myself and my fellow man and NEVER be abusive or offensive.
SEVEN TENETS OF TANG SOO DO
1. Integrity
2. Concentration
3. Perseverance
4. Respect and Obedience
5. Self-Control
6. Humility
7. Indomitable Spirit
1. Integrity
2. Concentration
3. Perseverance
4. Respect and Obedience
5. Self-Control
6. Humility
7. Indomitable Spirit
BELT PHILOSOPHY
White * Orange * Green * Brown * Red * Blue * Black
White Belt 10th and 9th Gup (white belt with a stripe)
Beginers belt color. White represents a primitive stage of achievement.
Thus, the seed as it lies dormant beneath the snows of winter.
Orange Belt 8th and 7th Gup (orange belt with a stripe)
Orange represents new growth which appears in the spring.
Our Tang Soo Do knowledge begins to reveal itself.
Green Belt 6th and 5th Gup (green belt with a stripe)
Green represents the speedy development of youth as summer arrives.
Brown Belt 4th and 3rd Gup (brown belt with a stripe)
Brown represents Power, Stability, Agility, Weight and Wisdom.
This is a stabalizing stage, both mentally and physically,
analogous to the plants which curtail their growth and prepare to
flower in late summer.
Red Belt 2nd and 1st Gup (red belt with a stripe)
Red represents Blood, Life, Energy, Attention and Control.
The student's power and techniques being to bloom and ripen.
Dark Blue Belt (Cho Dan Bo)
Dark blue represents Maturity, Respect, Honor. Our dark blue
belt is given to the Cho Dan Bo (Black Belt Candidate).
He or She must now prepare mind and body for the final step
needed to attain black belt.
Black Belt (Cho Dan)
Black represents Mastery, Calmness, Dignity, Sincerity.
Black belt is the final stage of one life cycle and the begining of
the next. Thus, we see that it is not only the end of one stage but,
more importantly, the begining of a path which leads up
through the ranks of the higher black belts to true mastery.
White * Orange * Green * Brown * Red * Blue * Black
White Belt 10th and 9th Gup (white belt with a stripe)
Beginers belt color. White represents a primitive stage of achievement.
Thus, the seed as it lies dormant beneath the snows of winter.
Orange Belt 8th and 7th Gup (orange belt with a stripe)
Orange represents new growth which appears in the spring.
Our Tang Soo Do knowledge begins to reveal itself.
Green Belt 6th and 5th Gup (green belt with a stripe)
Green represents the speedy development of youth as summer arrives.
Brown Belt 4th and 3rd Gup (brown belt with a stripe)
Brown represents Power, Stability, Agility, Weight and Wisdom.
This is a stabalizing stage, both mentally and physically,
analogous to the plants which curtail their growth and prepare to
flower in late summer.
Red Belt 2nd and 1st Gup (red belt with a stripe)
Red represents Blood, Life, Energy, Attention and Control.
The student's power and techniques being to bloom and ripen.
Dark Blue Belt (Cho Dan Bo)
Dark blue represents Maturity, Respect, Honor. Our dark blue
belt is given to the Cho Dan Bo (Black Belt Candidate).
He or She must now prepare mind and body for the final step
needed to attain black belt.
Black Belt (Cho Dan)
Black represents Mastery, Calmness, Dignity, Sincerity.
Black belt is the final stage of one life cycle and the begining of
the next. Thus, we see that it is not only the end of one stage but,
more importantly, the begining of a path which leads up
through the ranks of the higher black belts to true mastery.
The Fourteen Attitude Requirements to Master Martial Arts
1. Purpose of training should be enhancement of mental and physical betterment.
2. Serious approach.
3. All out effort.
4. Maintain regular and constant practice.
5. Practice basic techniques all the time.
6. Regulary spaced practice sessions.
7. Always listen and follow the directions of the instructor or seniors.
8. Do not be overly ambitious.
9. Frequently inspect your own achievements.
10. Always follow a routine training schedule.
11. Repeatedly practice all techniques previously learned.
12. When you learn techniques, learn thoroughly the theory and philosophy as well.
13. When you begin to feel idle, try to overcome this.
14. Cleanliness is required after training. Keep yourself and your surroundings clean.
1. Purpose of training should be enhancement of mental and physical betterment.
2. Serious approach.
3. All out effort.
4. Maintain regular and constant practice.
5. Practice basic techniques all the time.
6. Regulary spaced practice sessions.
7. Always listen and follow the directions of the instructor or seniors.
8. Do not be overly ambitious.
9. Frequently inspect your own achievements.
10. Always follow a routine training schedule.
11. Repeatedly practice all techniques previously learned.
12. When you learn techniques, learn thoroughly the theory and philosophy as well.
13. When you begin to feel idle, try to overcome this.
14. Cleanliness is required after training. Keep yourself and your surroundings clean.
Tang Soo Do Name of the art we study Moo Duk Kwan Name of the style/organisation Soo Bahk Do Ancient name of the martial art in Korea Kwan Jang Nim Chief instructor Sa Bom Nim Qualified instructor from 4th Dan upwards Kyo Sa Nim Assistant instructor as appointed Ban Jang Prefect Nim A term of respect similar to 'sir' Sun Beh Senior member Hu Beh Junior member Dan Degree, holder of midnight blue belt Gup Grade, holder of colour belt under midnight blue Ko Dan Ja Senior Dan holder You Dan Ja Dan holder You Gup Ja Gup holder Kwan Won Student member Cho Bo Ja Beginner Kam Sa Hap Ni Da Thank you Do Jang Training Hall Do Balk Training uniform Dee Belt Kuk Gi National flag Kwan Gi (Organisation) flag Shim Kung Spiritual Power or control in exercise Neh Kung Internal power or control in exercise Weh Kung External power or control in exercise Kee Cho Basic Hyung Form Dae Ryun Sparring Ho Sin Sul Self-defence Kyok Pa Breaking techniques Soo Kee Hand techniques O Rin Jok Right Wen Jok Left
Basic Stances (Kee Cho Jase): Joon Bee Jase Ready stance Chon Gool Jase Front stance Hu Gul Jase Back stance Chwe Ha Dan Jase Low back stance Kee Mahk Jase Horse stance Sa Goh Rip Jase Side stance Bal Bul Ri Go Mao Sogi Jase Duck Foot Stance
Commands In Training: Cha Ryut Attention Kyung Yet Bow Joon Bee Ready Shi-Jak Begin Ku Ryung Count Ku Ryung Ae Mat Cho So By the count Ku Ryung Op Shi Without count Ba-ro Return Shio Relax Tora Turn Dwee Ro Tora Turn to rear Bal Cha Kee Joon Bee Ready for kick Ha-na One Tul Two Set Three Net Four Ta-sot Five Yo-sot Six IL-gop Seven Yo-dol Eight A-hop Nine Yol Ten IL First Ee Second Sam Third Sa Fourth Oh Fifth Yuk Sixth Chil Seventh Pahl Eighth Ku Ninth Ship Tenth Jok Kee Foot techniques Mahk Kee Block Kong Kyuk Attack Ha Dan Low section Joong Dan Middle section Sang Dan High section Cha Kee Kick Ki-hap Shout/yell Shi Sun Focus of eyes Jung Shim Balance Kwon Do Knife fist Joong Kwon Fore fist Kap Kwon Back fist IL Ji Kwon One finger fist Yoo Kwon Soft fist Jip Kye Shon Plier hand Soo Do Knife hand Yuk Soo Do Ridge hand Kwan Soo Spear hand IL Ji Kwon Soo One finger spear hand Ee Ji Kwon Soo Two finger spear hand Jang Kwon Heel of hand Son Mok Deung Upper wrist technique Pal Koop Elbow Moo Roop Knee
Commands In Starting/Closing Class: Cha Ryut Attention Kuk Gi Bay Ray Bow to flag (if displayed) Ba-Ro Return Chak Sut Sit Muk Nyum Meditation Sa Bom Nim Kay Kyung Yet Bow to instructor Kyo Sa Nim Kay Kyung Yet Bow to assistant instructor Sun Beh Nim Kay Kyung Yet Bow to senior member Ban Jang Nim Kay Kyung Yet Bow to prefect
Basic Hand Movements:
Blocks executed in front stance unless otherwise stated. Ha Dan Mahk Kee Low Block Sang Dan Mahk Kee High Block Ahn Ye Seo Bahk Euro Mahk Kee Inside to outside block Bahk Ye Seo Ahn Euro Mahk Kee Outside to inside block Tro Ahn Ye Seo Bahk Euro Mahk Kee Reverse inside to outside block Tro Bahk Ye Seo Ahn Euro Mahk Kee Reverse outside to inside block Sang Soo Joong Dan Mahk Kee Two fist middle block Sang Soo Ha Dan Mahk Kee Two fist(X) low block Sang Soo Sang Dan Mahk Kee Two fist(X) high block The prefix 'Hu Gul' signifies that the above blocks are to be executed in back stance. The following blocks are to be executed in Back Stance. Soo Do Ha Dan Mahk Kee Low section knife hand block Soo Do Sang Dan Mahk Kee High section knife hand block Soo Do Joong Dan Mahk Kee Middle section knife hand block
Attacks: Joong Dan Kong Kyuk Middle punch front stance Sang Dan Kong Kyuk High punch front stance Hoeng Jin Kong Kyuk Side punch(side) horse stance Yuk Jin Kong Kyuk Reverse punch, back stance Kwan Soo Kong Kyuk Spear hand attack, front stance Pal Koop Kong Kyuk Elbow attack, front stance
Basic Leg Movements: Ap Cha Kee Front kick Ap Podo Cha Kee Front snap kick Ap Mee Ro Cha Kee Front pushing kick Yup Cha Kee Side kick Yup Podo Cha Kee Side snap kick Dull Ryo Cha Kee Round-house kick Dwee Cha Kee Back kick Dwee Dull Ryo Cha Kee Spinning Back kick Dwee Dull Ryo Chit-Go Cha Kee Back Spinning Chop Kick Ahn Ye Seo Bahk Euro Cha Kee Circular inside to outside kick Bahk Ye Seo Ahn Euro Cha Kee Circular outside to inside kick Bahk Ye Seo Ahn Euro Ma-Go Cha Kee Circular outside to inside block kick Yup Hu Ri Kee Side hook kick Chit Bal Kee Stamping kick Bahl Yup Chit Pal Kee Side Stamping Kick Moo Roop Cha Kee Knee kick Moo Roop Dull Ryo Cha Kee Knee turning round house kick Peet Cha Kee Diagonal inside to outside snap kick E Dan Jumping (all jumping kicks start with this term)
Forms (Hyungs): Kee Cho Hyung IL Boo Basic form 1 Kee Cho Hyung Ee Boo Basic form 2 Kee Cho Hyung Sam Boo Basic form 3 Pyung Ahn Cho Dan Pyung Ahn form 1 Pyung Ahn Ee Dan Pyung Ahn form 2 Pyung Ahn Sam Dan Pyung Ahn form 3 Pyung Ahn Sa Dan Pyung Ahn form 4 Pyung Ahn Oh Dan Pyung Dan form 5 Chil Sung IL Ro Chil Sung form 1 Chil Sung Ee Ro Chil Sung form 2 Chil Sung Sam Ro Chil Sung form 3 Chil Sung Sa Ro Chil Sung form 4 Chil Sung Oh Ro Chil Sung form 5 Chil Sung Yuk Ro Chil Sung form 6 Ba Sa Hee Naihanji Cho Dan Naihanji form 1 Naihanji Ee Dan Naihanji form 2 Naihanji Sam Dan Naihanji form 3 Ship Soo (Jin Thwe) Jin Do Ro Hai Kong San Goon Sei Shan Hyung Wang Shu Hyung Ji-On Hyung Oh Sip Sa Bu Hyung Ee Sip Sa Bu Hyung Woon Su Hyung Tham Twei Hyung Hwa Sun Hyung
Sparring (Deh Ryun): Sam Soo Shik Dae Ryun Three step sparring IL Soo Shik Dae Ryun One step sparring Chwa Dae Ryun Sitting sparring Dae Ryun Joon Bee Ready for sparring Ja Yoo Dae Ryun Free sparring Da Soo Dae Ryun Sparring against two or more
Anatomy: Pal Arm Bahl Foot Chu Mok Fist Mok Neck Eema Forehead Dan Jun Abdomen In Joong Between mouth / nose Bal Deung Instep Bal Yup Koom Chi Side heel Ban Jul Kwan Soo Fore knuckle hand Bal Ahp Buri Yup Front outer side of foot Bal Dwee Koom Chi Yup Ba Dak Side of heel under the foot Hur Ri Waist Ta Ri Leg Soo Hand Tuck Chin Ko Whan Groin Myung Chi Solar plexus Bal Ba Dak Mit Palm foot Bal Dwee Koom Chi Heel Pal Mok Wrist Pal Koop Elbow
Basic Stances (Kee Cho Jase): Joon Bee Jase Ready stance Chon Gool Jase Front stance Hu Gul Jase Back stance Chwe Ha Dan Jase Low back stance Kee Mahk Jase Horse stance Sa Goh Rip Jase Side stance Bal Bul Ri Go Mao Sogi Jase Duck Foot Stance
Commands In Training: Cha Ryut Attention Kyung Yet Bow Joon Bee Ready Shi-Jak Begin Ku Ryung Count Ku Ryung Ae Mat Cho So By the count Ku Ryung Op Shi Without count Ba-ro Return Shio Relax Tora Turn Dwee Ro Tora Turn to rear Bal Cha Kee Joon Bee Ready for kick Ha-na One Tul Two Set Three Net Four Ta-sot Five Yo-sot Six IL-gop Seven Yo-dol Eight A-hop Nine Yol Ten IL First Ee Second Sam Third Sa Fourth Oh Fifth Yuk Sixth Chil Seventh Pahl Eighth Ku Ninth Ship Tenth Jok Kee Foot techniques Mahk Kee Block Kong Kyuk Attack Ha Dan Low section Joong Dan Middle section Sang Dan High section Cha Kee Kick Ki-hap Shout/yell Shi Sun Focus of eyes Jung Shim Balance Kwon Do Knife fist Joong Kwon Fore fist Kap Kwon Back fist IL Ji Kwon One finger fist Yoo Kwon Soft fist Jip Kye Shon Plier hand Soo Do Knife hand Yuk Soo Do Ridge hand Kwan Soo Spear hand IL Ji Kwon Soo One finger spear hand Ee Ji Kwon Soo Two finger spear hand Jang Kwon Heel of hand Son Mok Deung Upper wrist technique Pal Koop Elbow Moo Roop Knee
Commands In Starting/Closing Class: Cha Ryut Attention Kuk Gi Bay Ray Bow to flag (if displayed) Ba-Ro Return Chak Sut Sit Muk Nyum Meditation Sa Bom Nim Kay Kyung Yet Bow to instructor Kyo Sa Nim Kay Kyung Yet Bow to assistant instructor Sun Beh Nim Kay Kyung Yet Bow to senior member Ban Jang Nim Kay Kyung Yet Bow to prefect
Basic Hand Movements:
Blocks executed in front stance unless otherwise stated. Ha Dan Mahk Kee Low Block Sang Dan Mahk Kee High Block Ahn Ye Seo Bahk Euro Mahk Kee Inside to outside block Bahk Ye Seo Ahn Euro Mahk Kee Outside to inside block Tro Ahn Ye Seo Bahk Euro Mahk Kee Reverse inside to outside block Tro Bahk Ye Seo Ahn Euro Mahk Kee Reverse outside to inside block Sang Soo Joong Dan Mahk Kee Two fist middle block Sang Soo Ha Dan Mahk Kee Two fist(X) low block Sang Soo Sang Dan Mahk Kee Two fist(X) high block The prefix 'Hu Gul' signifies that the above blocks are to be executed in back stance. The following blocks are to be executed in Back Stance. Soo Do Ha Dan Mahk Kee Low section knife hand block Soo Do Sang Dan Mahk Kee High section knife hand block Soo Do Joong Dan Mahk Kee Middle section knife hand block
Attacks: Joong Dan Kong Kyuk Middle punch front stance Sang Dan Kong Kyuk High punch front stance Hoeng Jin Kong Kyuk Side punch(side) horse stance Yuk Jin Kong Kyuk Reverse punch, back stance Kwan Soo Kong Kyuk Spear hand attack, front stance Pal Koop Kong Kyuk Elbow attack, front stance
Basic Leg Movements: Ap Cha Kee Front kick Ap Podo Cha Kee Front snap kick Ap Mee Ro Cha Kee Front pushing kick Yup Cha Kee Side kick Yup Podo Cha Kee Side snap kick Dull Ryo Cha Kee Round-house kick Dwee Cha Kee Back kick Dwee Dull Ryo Cha Kee Spinning Back kick Dwee Dull Ryo Chit-Go Cha Kee Back Spinning Chop Kick Ahn Ye Seo Bahk Euro Cha Kee Circular inside to outside kick Bahk Ye Seo Ahn Euro Cha Kee Circular outside to inside kick Bahk Ye Seo Ahn Euro Ma-Go Cha Kee Circular outside to inside block kick Yup Hu Ri Kee Side hook kick Chit Bal Kee Stamping kick Bahl Yup Chit Pal Kee Side Stamping Kick Moo Roop Cha Kee Knee kick Moo Roop Dull Ryo Cha Kee Knee turning round house kick Peet Cha Kee Diagonal inside to outside snap kick E Dan Jumping (all jumping kicks start with this term)
Forms (Hyungs): Kee Cho Hyung IL Boo Basic form 1 Kee Cho Hyung Ee Boo Basic form 2 Kee Cho Hyung Sam Boo Basic form 3 Pyung Ahn Cho Dan Pyung Ahn form 1 Pyung Ahn Ee Dan Pyung Ahn form 2 Pyung Ahn Sam Dan Pyung Ahn form 3 Pyung Ahn Sa Dan Pyung Ahn form 4 Pyung Ahn Oh Dan Pyung Dan form 5 Chil Sung IL Ro Chil Sung form 1 Chil Sung Ee Ro Chil Sung form 2 Chil Sung Sam Ro Chil Sung form 3 Chil Sung Sa Ro Chil Sung form 4 Chil Sung Oh Ro Chil Sung form 5 Chil Sung Yuk Ro Chil Sung form 6 Ba Sa Hee Naihanji Cho Dan Naihanji form 1 Naihanji Ee Dan Naihanji form 2 Naihanji Sam Dan Naihanji form 3 Ship Soo (Jin Thwe) Jin Do Ro Hai Kong San Goon Sei Shan Hyung Wang Shu Hyung Ji-On Hyung Oh Sip Sa Bu Hyung Ee Sip Sa Bu Hyung Woon Su Hyung Tham Twei Hyung Hwa Sun Hyung
Sparring (Deh Ryun): Sam Soo Shik Dae Ryun Three step sparring IL Soo Shik Dae Ryun One step sparring Chwa Dae Ryun Sitting sparring Dae Ryun Joon Bee Ready for sparring Ja Yoo Dae Ryun Free sparring Da Soo Dae Ryun Sparring against two or more
Anatomy: Pal Arm Bahl Foot Chu Mok Fist Mok Neck Eema Forehead Dan Jun Abdomen In Joong Between mouth / nose Bal Deung Instep Bal Yup Koom Chi Side heel Ban Jul Kwan Soo Fore knuckle hand Bal Ahp Buri Yup Front outer side of foot Bal Dwee Koom Chi Yup Ba Dak Side of heel under the foot Hur Ri Waist Ta Ri Leg Soo Hand Tuck Chin Ko Whan Groin Myung Chi Solar plexus Bal Ba Dak Mit Palm foot Bal Dwee Koom Chi Heel Pal Mok Wrist Pal Koop Elbow
Native Korean and Sino-Korean Numbers
Hana One, Tul Two, Set Three, Net Four, Ta-sot Five, Yo-sot Six, IL-gop Seven, Yo-dol Eight, A-hop, Nine Yol Ten, Yolhana Eleven, Yoldul Twelve, Yolset Thirteen, Yolnet Fourteen, Yoldasot Fifteen, Sumul Twenty, Sumulhana Twenty-one, Sumuldul Twenty-two, Sumulset Twenty-three, Sumulnet Twenty-four, Sorun Thirty, Mahun Forty, Shwin Fifty, Yesun Sixty, Irun Seventy, Yodun Eighty, Ahun Ninty, Paek One Hundred, IL First, Ee Second, Sam Third, Sa Fourth, Oh Fifth, Yuk Sixth, Chil Seventh, Pahl Eighth, Ku Ninth, Ship Tenth
Hana One, Tul Two, Set Three, Net Four, Ta-sot Five, Yo-sot Six, IL-gop Seven, Yo-dol Eight, A-hop, Nine Yol Ten, Yolhana Eleven, Yoldul Twelve, Yolset Thirteen, Yolnet Fourteen, Yoldasot Fifteen, Sumul Twenty, Sumulhana Twenty-one, Sumuldul Twenty-two, Sumulset Twenty-three, Sumulnet Twenty-four, Sorun Thirty, Mahun Forty, Shwin Fifty, Yesun Sixty, Irun Seventy, Yodun Eighty, Ahun Ninty, Paek One Hundred, IL First, Ee Second, Sam Third, Sa Fourth, Oh Fifth, Yuk Sixth, Chil Seventh, Pahl Eighth, Ku Ninth, Ship Tenth
Colors
White huin Orange orenjisaek Green ch'orok Brown kalsaek
Red cho'nun Blue p'aran Black kaman
White huin Orange orenjisaek Green ch'orok Brown kalsaek
Red cho'nun Blue p'aran Black kaman